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"I want'a know all you know about them men that are workin' Hinter's borin' outfit. Why ain't they ever seen outside that tall fence Scroggie's built 'round the derrick, an' why did he build that fence, anyways?", The scene of the quay-side was gay and indeed festive. The few ships had hoisted colours in celebration of the Aurora's arrival, and the large flags of those days streaming from mast-head and gaff-end and ensign-staff and jack-staff combined with the brilliant blue of the sky, the light and lovely greenery of spring that clothed the ravine's slopes, the sober hue of the cliffs, the white shape of the squab lighthouse past which some gulls[Pg 90] were wheeling, the chocolate tint of the revolving windmill, the sober grey of the houses and the diamond sparkle of the river with its softened reflection of bridge and banks streaming into its heart in dreamlike shadow of what was mirrored: this combination, I say, coupled with the motions and colours of human life on the quay-side, albeit the beer hour had struck and the picture owed nothing of animation to the workmen, fascinated the eye with the calm, the freshness, and the glory of a little English sea-piece, Sabbath-like in repose, lighted by the sun of April beaming in a perfectly fair heaven., Lost Man's Swamp, so called because it was said that one straying into its depths never was able to extricate himself from its overpowering mists and treacherous quicksands, was lonely and forsaken. It lay like a festering sore on the breast of the world—black, menacing, hungry to gulp, dumb as to those mysteries and tragedies it had witnessed. It was whispered that the devil made his home in its pitchy ponds, which even in the fiercest cold of winter did not freeze..